LISTED Film Previews – November 2011

Now, by this point, you’re probably wondering to yourself “How come there have been all these previews of films coming out, and yet we’ve hardly seen ANY actual reviews of these films? Whats going on, Mister? Why are you doing this to us? Whywhy?” Well, I’ll tell you – I’ve been massively busy on other projects in the works (mostly being that I need an actual job so I can afford things… like food…).

One such project I mentioned in a previous post, and that is the new Film Review Radio Show/Internet Podcast I am now a part of called May Contain Spoilers! We go out live every week on Thursday nights at 9, and our podcast follows shortly after in the week so you can catch it even if you didn’t hear it live. To keep up with our shenanigans and stay up to date with our fantastic competitions and news, you can add us on Facebook by searching May Contain Spoilers, on Twitter through @FilmSpoilers or you can e-mail us for information or to suggest a Soundtrack of the Week at maycontainspoilers@thebayradio.com. So come along, have a listen and get involved in the action yourself – its guaranteed to be 100% better than trying to eat a shoe!!

Now that’s done, shall I tell you about what to see this month? Yes. Yes I shall…

THE RUM DIARY (15) (Dir. Bruce Robinson)

Johnny Depp is Paul Kemp, a freelance journalist writing for a newspaper in the Caribbean who finds himself at a critical turning point in his life. As he tries to carve out a niche for himself in the journalistic world of Puerto Rico, he begins to fall in with crowds of lost souls. And if you notice that it bears a resemblance to Fear and Loathing In Las Vegas then you might not be surprised that The Rum Diary is also adapted from a novel by Hunter S. Thompson and written and directed by Bruce Robinson, so you can expect a few trippy scenes here and there. Possibly not for the faint of heart, but definitely for those that enjoy a bit of madness mixed in with their drama. Released November 4th.

IN TIME (12A) (Dir. Andrew Niccol)

Starring Justin Timberlake in an altogether different role, this sci-fi thriller is set in the near future where people stop aging at 25 but can only live for one more year, meaning time is used as currency so the rich stay young forever and the poor die early. But when a young man (Timberlake) finds himself with an abundance of extra time, he is swiftly on the run from an elite police force lead by Cillian Murphey called The Time Keepers. While the trailer seems like Logan’s Run, there may be more to offer than first meets the eye. Released November 1st.

IMMORTALS (15) (Dir. Tarsem Singh)

Appearing at first a bit like 300 Again, Immortals tells the tale of Theseus (Henry Cavill), a mortal man chosen by Zeus (Luke Evans) to lead a fight against King Hyperion (Mickey Rourke), a ruthless leader who is on a rampage through Greece with his disfigured army on a quest to find a weapon that could destroy humanity. While you can expect the action and effects to be just as stylised as 300 or Clash of the Titans, you can also expect more references to Greek mythology and the Greek Gods. While there might be a few reasons to see this in 3D, it’s also a good opportunity to see Henry Cavill in action before he takes on the Superman mantle in next year’s Man of Steel. Released November 11th.

THE TWILIGHT SAGA: BREAKING DAWN – PART 1 (12A) (Dir. Bill Condon)

Those cash-cow teens (and the one that can’t keep his shirt on) are back again for the first part of the final film of the saga. In Part One of Breaking Dawn, we see Bella (Kristen Stewart) finally tie the knot with her sparkly Vampire lover Edward (Robert Pattinson), much to the dismay of muscly wolf-boy Jacob (Taylor Lautner). Only thing is, after returning from their steamy, private honeymoon, Bella discovers she’s pregnant and the Vampire sprog inside of her not only poses a threat to the Quileute Wolf tribe and the Volturi Vampire coven alike, but could also be killing her from the inside. Perhaps it’s a message about abstinence, but at the same time this movie has taken the giant leap from being a cult phenomenon to becoming just a tad ridiculous. Expect lots of teenage angst drama in the build-up towards next year’s final conclusion. Released November 18th.

As published in Listed Magazine and online at http://www.listedmagazine.com. Search “May Contain Spoilers” in Facebook for information on all these films and more.

The Twilight Saga: New Moon (Contains Spoilers)

After a long, convoluted series of events that finally led to me getting a perfect seat in the same auditorium as my friends at a midnight screening in L.A., I actually managed to see The Twilight Saga: New Moon on its opening day. Of course, much to my expectations, the atmosphere was complete pandemonium – people were queuing for ages just to get good seats, most of the people there were wearing branded T-shirts of the film, some of their Mums were wearing branded T-shirts as well, inside the auditorium was packed out and people couldn’t stay still from the excitement, etc… It was complete madness, and part of me was a little shocked that I got mixed into it all. But  sort of couldn’t hear that part of me, for there was a bigger part of me that was saying “You’re getting to see this film at midnight with your friends in a different country, what the hell are you complaining about??”

All the seats erupted into screams of delight when Robert Pattinson appeared on the screen… In a trailer for his next film Remember Me. “Good God” I thought “This is just the bloody previews!!” That, fair people, is exactly the sort of madness that The Twilight Saga stirs up in some people. Don’t get me wrong, I can understand why people get so into it, as the subject matter speaks to certain people in the same way that Harry Potter does and people go just as mad for that as well. But then, a majority of the people there were also there to see sexy vampires and buff werewolves, so you take the good with the bad, I suppose. Me? I was there because I got into the storyline of the book and because I knew there were going to be some awesome Werewolf scenes as well!

Anyway, once the film actually started, you were able to tell immediately that it was not the same director as before (Catherine Hardwick had other projects to work on and Chris Weitz took the helm for New Moon), as it opens with the shots of what’s in the book as the prologue – of Bella Swan running through the town square in Italy trying desperately to get to the clock tower. This wasn’t done in Twilight, which made sense as it was just the start of the whole story anyway, but it still meant you’re able to distinguish the different styles of direction straight away. This is something I personally thought would benefit the film, as you’re not expecting it to be anything like the first one that way. Which it completely isn’t!

As almost the entire population will already know by now, the storyline to New Moon takes what was set up in Twilight (i.e. the relationship between Bella Swan and her Vampire love Edward Cullen) and completely rips it to pieces after one of the Cullens nearly kills her after she cuts herself. After all the Cullen’s then disappear from town, she is left alone and faces life without her true love, which consequently leaves her with her best friend Jacob Black, who is part of a tribe of Native American’s (the Quileute Tribe), who turn out to be Werewolves, which are the only other thing in the world that can kill Vampires… understand? Good.

The scene that everyone was hoping, nay praying, that they got perfectly spot on is the scene where Edward has to tell Bella that him and his family are leaving, and that they can’t be together anymore. This scene, I have to admit, they got perfect. A majority of it follows exactly how it happens in the book, down to the tone of voice each of them uses, but it’s also how the scene first starts out that really sets everything up. Now, we’ve all been there – on the receiving end of a break up line, but we all know how the conversation has to start. So when Edward utters in a low tone “Let’s go take a walk”, everyone is automatically in the mindset for what is about to happen. What starts as a gentle opening of “It’s safer for you if I’m not around you”, turns into a full on “You’re not good for me. I don’t want you to come with me”. And as the scene progresses, you do get the sense that it is becoming more and more devastating for these characters. Tears and sniffles are exchanged throughout the cinema at this point, as one second Edward kisses Bella goodbye, and the next he has disappeared from sight, supposedly never to be seen again. The devastation that hits Bella after this is very well crafted, as she then slips into a nearly comatose state for the months that then follow, drifting emptily through life just as is described in the book.

I could go on, with a scene-by-scene breakdown, but I’m just going to stick to the main bits! The thing with New Moon is that it is very much Jacob Black’s story, and how he discovers that it is his birthright to be part of the Quileute Wolf Pack. Another thing that was established early on after the first teaser trailer that the producers definitely HAD got right was the Wolf effects in the film – The Quileutes aren’t the traditional Werewolves so much as people who can spontaneously erupt into giant wolves, the size of stallions. This, when described in the book, is very cool. This, when seeing on the screen, is freakin’ bad-ass!

The first time you get a glimpse of one of them (the Alpha of the pack, when Bella is crushed by Edward leaving and is stranded in the forest) it IS just a glimpse – but its more than enough to keep people on tenterhooks to see more! Which means the first time you ACTUALLY see the Alpha Wolf, closely followed by the rest of the pack, you ARE on the edge of your seat and I personally was completely gob-smacked at how incredible and formidable they have made the Werewolves look on the screen!

The transformation of Jacob Black from the skinny best friend, to the beefed-up super-jock with a chip on his shoulder is gradually seen over the first half of the film as well. Like I said, this is very much Jacob’s story, and Taylor Lautner has clearly put a lot of work into his look and his acting to get this role perfected. Throughout the rest of the film, even though Bella’s reckless stunts on a motorcycle are her only means of seeing visions of her lost love, by the time she knows all about the Quileutes you are wanting her to pick Jacob over Edward, because of his dedication to her and his promise of constant protection from any outside dangers (namely the vengeance-seeking Victoria, whose mate got killed in the first film).

The good thing about adapting a book into a film, is that can be perspective-less. This opens up a variety of new possibilities for direction. Because the book is only told from Bella’s perspective, we only know and see what SHE knows and sees in the book. In New Moon, there is an entire scene where Jacob and the rest of the Wolf Pack hunt down, fight and chase Victoria through the woods of Forks. This was definitely NOT in the book, but the fact that they managed to work in more Werewolf scenes into the film than there is in the book was an unexpected surprise that made all the difference. Clearly, this is because they spent so long developing the technology to get the Wolf effects just right, that they wanted to make it worthwhile and not just have a couple of scenes with them in, but instead give them more screen time than is suggested in the book, because clearly this is what people have really come to see. And its 100% worth it! The Werewolf scenes in New Moon are phenomenal, and you find yourself damn near cheering them on as they’re chasing Victoria.

The only thing that I will say is that there is quite a fair amount of slow-motion during these sorts of scenes, and whilst it is mainly used to show (ironically) the speed with which these creatures can move, it is only borderline distracting when you want to have a bit more action going.

The film then develops into a race-against-time to stop Edward from provoking the Volturi, who basically are the Vampire Royalty that reside in Italy. They lay down the law and destroy anyone who doesn’t obey. So when Edward gets the wrong end of the stick and thinks that Bella has somehow killed herself, he decides to piss off the Volturi by showing people he’s a Vampire on the most crowded day of the year at 12 when the sun is at its highest. This means that Bella has to stop him from doing something he might then regret, which then leads to them all going to the chamber of the Volturi. Dakota Fanning plays the creepy, spooky young Volturi member Jane, who many were opposed to when it was announced, but she actually plays her part with the right kind of malice that her character requires. Micheal Sheen also plays his part of Head Volturi member Aro with the right kind of finesse mixed with sinister to get the character just right.

Anyway, the scenes with the Volturi are the set up for how the story will continue after New Moon and into Eclipse next year, and even though there is no such scene in the book, a massive Vampire fight breaks out in the middle of the Volturi’s chamber. Well, of course it had to, right? The Werewolves have had their fight scenes, now it’s time for some Vampires to have a cool little skirmish with some awesome effects! I got the feeling that this was sort of thrown in to not make either side look more dangerous than the other, but it was still fun to watch as these guys smack each other about the room and through concrete and stuff. Mixing in the violence into the romance, as it were.

By the time the film comes to a close, you are left at the scene where Jacob reminds Edward of the treaty the Quileutes hold with the Cullens, and what could happen to Bella should the treaty be broken. This is a tense enough moment in the book. So, when it suddenly breaks out into an unexpected scrap between Edward and Wolf-Jacob in the film, the audience are taken a-back as the rivalry that will drive the next film is formed, and people are left debating who could take who in a fight to the death! The film then comes to a slightly unforseen (even though people know this is the end of the film) when Edward makes his proposal for Bella’s transformation. Literally. This bit of dialogue was not meant to be introduced until the start of the next book, but the fact that they have ended the film on the words “Marry me, Bella” means that people will be begging for the release date of the next one to come as soon as possible. Clever, Chris Weitz, clever.

Anyway, overall, the film is awesome. It’s exactly what I expected it would be – the Werewolves are bad-ass, the script is very close to the book, minus a few scenes that help the story along everything that needs to be in there was there, and the high-running emotions and tensions are all felt throughout. So, it’s definitely everything that it needed to be, and possibly a bit more too. Also, if you’re weren’t already on the side of Team Jacob before seeing this film, by the end you’ll be cheering on the Wolves as loudly as everyone else!!

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