It’s that time of year again…

Yes, that most anticipated of Awards Ceremonies, The Oscars, sees all kinds of celebrities turning out in their most amazing looking threads and practising their most gracious of losing faces for this one time of year.

Of course, this year was no different, and England in particular has a lot riding on this, the 83rd Annual Academy Awards, with The King’s Speech nominated in as many categories as it can possibly manage. From the Red Carpet, everyone seemed rightly excited for the close calls in this year’s nominees. Everyone has their favourites, but only one can win. I know where my money is!

James Franco and Anne Hathaway did a nice job of hosting together, but of course when you put two attractive people together like that you’re hoping to get an entertaining back and forth (especially when half-way through they come back out dressed as each other). Plus, it gives all the geeks in the audience a chance at imagining how Anne Hathaway will look when she plays Catwoman in The Dark Knight Rises next year!

Best Art Direction surprisingly didn’t go to Inception but to Alice in Wonderland, which I suppose must be purely for all its CGI and imaginative creations.

Best Supporting Actress went to Melissa Leo for her performance in The Fighter, but it did mean that both Helena Bonham Carter and Hayley Steinfeld missed out (which gave Helena a reason for looking moody and gothy), which confused me as I was sure they put Hayley Steinfeld into this category so she might win since she was on the screen for 90% of the time, which would surely mean the Lead Actress in True Grit was Matt Damon…

Best Animated Feature obviously went to Toy Story 3, but being one of three films nominated it was almost to be expected. Best Adapted Screenplay must have been a very close call because 127 Hours, The Social Network and True Grit were all very well written, but the award went to The Social Network as I hoped. Best Original Screenplay brought the first Oscar to The King’s Speech, and David Seidler made a great acceptance speech for it. I couldn’t have called In a Better World for Best Foreign Language film as I think most people expected it to go to Biutiful, but there you go.

Another tough call came for Best Supporting Actor, but Christian Bale took the award away, which I’m guessing is due to the amount of weight he lost purely to perform his role in The Fighter. Inside Job took Best Documentary, but that’s probably because it exposed massive financial fraud to a nation that got hit by it!

Inception took away a total of 4 awards, including Sound Mixing, Sound Editing, Visual Effects and surprisingly Cinematography, which I expected to go to True Grit for its scenery and settings. Best Original Score, to my huge excitement, went to Trent Reznor and Atticus Ross, which meant I got to see the man that fronted Nine Inch Nails accepting an Oscar whilst simultaneously feeling obviously awkward about it!

Best Director, without any surprise, went to Tom Hooper for The King’s Speech, even though I was rooting for David Fincher for The Social Network, but at least he made a good acceptance speech so you can’t fault him for that. Best Actress went to Natalie Portman, and again that is likely due to the amount of dance training she went through for her role in Black Swan.

No prizes for guessing that Best Actor went to Colin Firth for The King’s Speech, as well as winning Best Feature Film. That means 4 Oscars for The King’s Speech and good night for English Films!

So, until next year, we can all go away and rent all the films from tonight, and remember just why they won the awards they did. Or, alternatively, bitch continuously about how our favourites really should have won that one award that they were nominated for instead of that other which wasn’t nearly as good…

Advertisements

Who’s up for Round 3?

And so, after the fogs of the Champagne have parted in your mind and the various gym membership forms have been filled out, what is left to bring you into the New Year? Well, I know it’s probably a bit late doing this half way through January, but this represents a whole 2 Years of My Different Take being up on the web! Sometimes popular, sometimes deader than Shakespeare, but always being updated, My Different Take has been my own personal link into the world of the Internet and expressing my opinion, for what its worth, all across your various Internet Providers displays.

So, what rocked in 2010? This is open to debate, but a lot of awesomeness went down in 2010 that will be hard to top. Firstly, I had my time out in California having some awesome times, meeting awesome people and doing work that ranged from awesome to being yelled at, but regardless it was all experience. 2010 brought around opportunities like: Meeting the cast of Kick-Ass, bumming on the beach with some of my best friends in the world whilst trying to start BBQ’s and failing miserably. It brought beautiful sunsets, amazing holidays, and personal growth like no other. While there were also some losses along the way and some choices that may not have been the best ones of my life, 2010 will not be easily forgotten.

It also brought us some pretty awesome films and music: The start of the year saw Kick-Ass get released along with Iron Man 2 and Inception which I still have yet to see, but fear not as I have the DVD now! Later films included Scott Pilgrim Vs The World and The Social Network, which I still insist are among the best films of the year and are now some of my own personal favourites! As for albums, the ones I’ve most enjoyed throughout 2010 were My Dinosaur Life from Motion City Soundtrack which pretty much made my summer/autumn time, The Gaslight Anthem’s American Slang which can easily make you feel better about anything and make you want to get a convertible and drive down to the city, and Bears, Mayors, Scraps and Bones from Cancer Bats for some unadulterated punk ‘n roll goodness!

With all of that in mind, 2011 might have some work to do to keep up with the previous year! So, what looks god for 2011? Well firstly, as with last year, we start 2011 with some great looking films like 127 Hours, a true story film from Danny Boyle that looks to have a lot of humanity and tough choices dealt with, The Kings Speech is already winning multiple awards for Colin Firth, and The Green Hornet, whilst it seems might not have the best script in the world, does look like it will have some good laughs behind it as long as it’s not taken too seriously as a “comic book movie” (which, technically, it’s not). Also, let us not forget the re-make of True Grit with Jeff Bridges as, whilst it is a re-make, has been gaining successful reviews across the board for how well it has been put together and how many people are getting interested in it. Other big releases this year that I myself am getting hugely excited about include Thor, and now that it’s in 3D as well has got me very excited to see what they’ve done with the visuals, Zack Snyder’s Sucker Punch which looks phenomenal in its seemless mixing of fantasy, action and CGI and could wind up being a geeks heaven visualised, Cowboys and Aliens which will see Daniel Craig breaking out of his Bond persona to do something a bit more comic related, and Paul which is the latest offering from the Simon Pegg/Nick Frost combo but without the direction of Edgar Wright its touch and go on whether it will live up to their last releases.

Other films that I’m starting to come round to the idea of are Captain America: The First Avenger after I’ve started seeing more shots from the set from it, after I initially didn’t like the idea of Chris Evans doing Steve Rogers since he’s already Johnny Storm in Marvel’s Fantastic Four films. I’m also starting to like the look of Pirates of the Caribbean: On Stranger Tides even though it doesn’t seem to have all that much that is original or will set it apart from the other ones other than Orlando Bloom and (thankfully) Kira Knightly aren’t in it. Unfortunately, Penelope Cruz is also trying to do that annoying thing where she tries to speak British in this new one. Still, Blackbeard? I’m in! Real Steel is another one that looks fairly interesting, sort of what would happen if Rocky met Transformers, and with Hugh Jackman too, so I’ll look forward to seeing how that one turns out. One of the other hugely anticipated comic book movies of the year, alongside Cap and Thor, is Green Lantern which is looks a little more light-hearted than some of DC’s other offerings like the Superman or Batman franchises. Considering that the CGI plays an important part in Green Lantern, and I’m undecided as to whether Ryan Reynolds will be better as Hal Jordan than Nathan Fillion after all, it could currently go either way. Still, there is potential for this to be as big a franchise as DC’s other films. Kick-Ass director Matthew Vaughn is also releasing X-Men: First Class this year, so it’s looking to be a triple win for Marvel if all three films take off well, but I’m unsure about the casting for this film until pictures get released. Lastly, speaking of franchises, theres Transformers: The Dark of the Moon. I can safely say that the only direction for these films to go in is up after the diabolical last film, but without Megan Fox ruining the film by not opening her mouth when she talks there is a chance the this could bring it back for the robots in disguise and all the fans who lost faith.

As far as music goes, there are a few new releases that I’m looking forward to. To start with, Architects are making a new release very soon to start off the year in their more melodic than usual offering of The Here And Now, and from what I’ve heard so far its a pretty solid mix of brutality and melody to fit all kinds of moods. Yellowcard are set to release a new record which I’m anxiously waiting to hear stuff from around the time that they tour the UK with All Time Low in March who are also releasing a new album, so the success from that will be interesting considering their amount of radio play in the UK.

Deaf Havana are releasing an album this year after a change in their line-up from their last album and ergo, a change in their sound to something still melodic but no less punchy. Rumours of a new Frank Turner album, I’m not sure yet, but I don’t think are confirmed but I do remember him saying a follow-up to his latest Rock And Roll EP is due sometime this year, so I shall be keeping an eye out for that! After their recent reformation and announcement of headlining this years Download Festival, I think its safe to expect a new offering from System of a Down this year, and who knows, we might even see this fabled new Blink-182 album they’ve been making for nearly two-damn-years now which was meant to be out last year but still hasn’t!

Anyway, the long and short of it is that you can expect there to be more reviews, previews, and general expression of my own opinion on this site for a while to come yet, and with any luck I’ll be able to do it more regularly this year! Year one was a healthy experiment, year two got more people reading and me writing more. Let’s see what year three’s got.

The Social Network (Contains Spoilers)

I think by this point it’s pretty safe to say that David Fincher is a dude who really knows what he’s doing. He may not have as many Oscars as Scorsese, as many classics as Spielberg or as much money as Cameron, but his repertoire shows that he definitely has it together and is more than capable of creating pieces of cinema that are sure to make heads turn. Se7en, Fight Club, Zodiac – all of these have been incredibly tense and very intellectually challenging films, and The Social Network is no exception to this. Ironically enough, after seeing The Social Network I honestly couldn’t wait to write a blog about it and express my opinions of it on a public medium!

The Social Network, I personally think, is one of the most intellectually entertaining films not just of this year, but of recent years as well. Pair that with the fact that, at its centre point, it is a piece about one of the most used, talked about and potentially dangerous inventions of recent years and you have a film that is GOING to cause a stir, no matter what! The partly true, partly fictional story of the Harvard University based creators of the social networking site Facebook (which you’d be hard-pressed to find someone NOT on it now!) sees Jesse Eisenberg playing the role of Mark Zuckerberg, the main geek-brained creator of the infamous networking website. Eisenberg does a fantastic job playing Mark as he is able to deliver all his lines with such a straight face and blank attitude that it’s both believable and ironic in equal measures – believable because Eisenberg delivers all the computer jargon with such conviction you’d think he graduated from MIT, and ironic in the way that someone with such a lack of social interaction skills and emotional depth could create the world’s largest and most famous social networking site. But that’s the irony of the situation to begin with, really – the fact that The Social Network starts with a five minute scene of Mark basically ruining a date by gradually insulting his date more and more because his mind obviously operates on different levels from normal humans goes to show just how socially awkward and emotionally blind Eisenberg’s Mark is. Also, as a side note, that first scene of the film where the awkwardly sarcastic Mark and his date Erica Albright (Rooney Mara) are sat around a table was probably the hardest part of the film to write! From this early point, it’s clearly established that Mark is not just socially blind, but more a borderline Asperger’s patient, which is again why it’s ironic he managed to create Facebook.

Whilst Eisenberg does an amazing job as the sarcastically smarter-than-thou Mark, it’s Andrew Garfield who truly shines through as Mark’s roommate and co-founder of Facebook, Eduardo Saverin. Garfield is genuinely an amazing actor in The Social Network, providing the other half of the entire story that makes up the script of the film. Saverin is the more socially aware, richer go-getter of the two founders which is what starts to provide Eisenberg’s Mark with the conflicts he faces, as for someone so socially unaware, he’s friends with someone who is more popular, has more money and can intellectually keep up with Mark. The scene where Garfield truly steals the show is at the point where Saverin is given further contracts to sign and realises exactly what his shares in Facebook are after a corporate investment and, even though you don’t feel as much of a connection to this jealous and somewhat spiteful portrayal of Eduardo Saverin, you can’t help but feel bad for how shunned and cast out he gets.

This is not to say that Saverin was the “bad guy” in any of this, and that’s part of the beauty of The Social Network – there are no clearly defined “good” or “bad” characters. Each of the characters is right or wrong about different things in equal measures – at the point where Saverin wants to monetise Facebook through advertising, Eisenberg’s Mark doesn’t want to. He wants to “not stop the party before 11” as the parallel goes. BUT, as it now turns out, Facebook ended up charging for advertising on their spaces and that is now why Facebook is worth so much money, and has made billionaires of Saverin and Zuckerberg. So in the end, neither of them are exactly right or wrong, which is what makes their characters so compelling throughout the entire film.

Justin Timberlake is a bit questionable in the role of Sean Parker, and I’m having a hard time making my mind up about him. On the one hand, I think Timberlake is doing a good job for himself in becoming a legitimate actor as well as singer, and I think the Social Network will work well for him as a stepping stone to further good roles. However, his particular role in this film I found a little hard to accept as it progressed. At the start of the film, Timberlake obviously does a good job of becoming the Napster Mastermind Sean Parker – a cocky rich guy who dropped out of school, managed to screw around in the Music industry and has gotten plenty of fame and fortune because of it. Let’s face it; of course Justin Timberlake would be good at playing that role… But as the film went on, and the character of Sean Parker had to become gradually more genuine and less of a “mogul” type, Timberlake became a little less believable in his character, and that’s where he started to falter. So to begin with, Timberlake’s character works well and drives the storyline, but towards the end he starts to become less of a steering wheel and more of a regular cog in the works. But he still makes for an interesting character, and I think that Timberlake might actually have some kind of possible career in film ahead of him.

One aspect of The Social Network that was interesting, and in fact of many of Fincher’s films, is the way in which the story is told. The Social Network isn’t exactly told in a series of flashbacks as the film actually starts back before Zuckerberg created Facebook or even his first attempt at an internet-wide practical joke of Facemash, but more with cut-aways to the legal proceedings that followed after Facebook became something bigger than any of its creators. At the end of the film, the storylines catch up to each other and come to one, single conclusion as the story of the creation of Facebook meets with the courtroom drama that ensued after it. In this way, the delivery of the information that drives the story is evenly spread out, and in some places even comical with the way that it is cut together to tell the story of certain incidents in Facebook’s creation. What is also interesting about this form of storytelling is that it keeps you guessing as to how they all got to that point – at one part towards the end, you get the sense that Saverin and Zuckerberg are almost at a point of an understanding again before everything gets far worse, but the point is that it keeps you guessing at times, and that’s what gives The Social Network’s story its edge.

I should also say that the film’s soundtrack is worth a mention at this point. The soundtrack to The Social Network has been written and put together entirely by Nine Inch Nails front man Trent Reznor and legendary rock producer Atticus Ross, so it would definitely make for an interesting listen if you know your music history AND enjoy using Facebook as well, considering that two veritable legends of modern rock music have come together to create this soundtrack.

One thing that The Social Network does make very clear is, ironically enough, the dangers of using Facebook. It’s actually quoted in the film “It’s addictive. I’m on it like, 5 times a day!” and about how “the internet isn’t writing in pencil, it’s in pen” and it’s repeatedly referenced at how just using Facebook is all about putting all of your personal details up on a public forum for anyone you know to access. It’s been recently stated by Eric Schmidt, boss of Google.com, about how the dangers of using Facebook and other social networking sites won’t be apparent for a while, but will still be there all the same. Schmidt anticipates that the current generation of Facebook users won’t be worried about identity theft, but more about how to escape the online identity they’ve been creating for themselves all this time. He states “Young people may one day have to change their names in order to escape their previous online activity” and that could end up being very true, and The Social Network does a good job of beginning to subliminally imply this.

Ultimately, there is very little to fault The Social Network on, except for one small part where in one scene they have Prince Albert played by someone who is CLEARLY American and looks nothing like Prince Albert at all. That detail aside, The Social Network is an awesome film with great characters and brilliant casting all round, and I think it has easily made its way into my Top Films of the Year. It will also be interesting to see how Fincher tackles the re-make of The Girl With The Dragon Tattoo next year with Rooney Mara from this film becoming Lisbeth Salander. I’m giving The Social Network 8 out of 10 for sheer impressiveness and intelligence, and I think everyone should make an effort to catch it in cinemas!

Despicable Me (Contains Spoilers)

Although I’m not particularly proud of the fact that I wound up seeing Despicable Me before I’m able to go and see The Social Network or even the re-release of Back To The Future, I’m ok with the fact that I ended up seeing Despicable Me mostly because of the fact that from the trailers and the hype it’s been getting it looked like it would be at least a semi-decent animated comedy film. Perhaps not quite of the standards of Shrek or Kung-Fu Panda or anything like that, but entertaining enough to actually be worth killing time on. And that’s what it turned out to be – a semi-decent animated comedy that was perhaps actually worth killing time on.

I’ll be the first to admit that it probably wasn’t my film of choice to begin with, and I wouldn’t have been kicking myself if I had wound up missing it at the cinema, but it turns out that Steve Carell actually does a pretty good job on voice acting as well as physical comedy too, thusly legitimising him as a pretty well rounded actor. Although, that could also have been said after watching Dan In Real Life a few weeks ago as well… Anyway, the point is that although he’d deliberately putting on an accent in this, he does bring a little bit of his own comedy wonder to the character of Gru, the evil genius out to prove that he’s still the best there is at what he does – being a total bastard. Even in the first 5 minutes of the film, Gru manages to cheer up a little kid, put a smile on his face and make him all happy just to deliberately bring him down again! Clearly, it had to be established upon the first point of seeing Gru that he had to be a complete arse and that was very much achieved.

Essentially, what I liked about Despicable Me was the fact that you have to sympathise with a guy who is deliberately out to make people’s lives a bit of a misery. Gru IS the evil genius that creates heroes out of nothing, and yet no heroes try to stop him, so he’s free to rain down his evilness on anyone and anything. But obviously, because this is a kid’s film, it couldn’t quite take that sinister tone too far and so they had to introduce a more human side to him – one of a kid with hopes and dreams, of which his mother completely shot down as nonsense. Thus, this creates an association with Gru, and he’s not such a bad guy anymore – just someone who USED to be evil who now has lots of cool gadgets and millions of minions.

A little thing that bugged me about part of the story of Despicable Me is the fact that his Minions aren’t really explained, more just taken as granted that they’re there. Perhaps it’s me wanting more of a cohesive reason behind small things like that in the films I see, and forgetting that kids generally tend to take most things as a given and not question these things, but I would have liked to have known how Gru got all his little minions that, strangely enough, resemble the Tic-tac men painted yellow. This, however, was not given but what we get instead is a tool of such great comic relief that you find yourself not caring anymore. Ok, they’re silly, they’re stupid, and they’re basically yellow Tic-tac-shaped Oompa Loopmas, but I think you’d have to be a pretty straight-faced critic to not have a little giggle when one of them manages to drink and anti-gravity serum and floats out a window, only to crop up at ridiculous times later on. Or even when one gets cracked and shaken and starts glowing like a glow stick. They’re the kind of bizarre humour that contrasts the kind of outright, slightly predictable humour of some of the other characters.

On that point, it has to be said that I’m probably not one of Russell Brand’s biggest fans. In fact, earlier in his career I found him to be pretty irritating and generally kind of thick, and wondered what the appeal of him was. However, in recent years he has started to show a bit more of a genuine appeal as a comedy actor in things like Forgetting Sarah Marshall and Get Him To The Greek (ok, he’s basically playing himself in those films, but at least he can play a character and read a script now!), and I think his role as the doddery old Dr. Nefario (the ‘M’ to Gru’s ‘Bond’, to draw a total parallel) was pretty genius. I think it’s mostly his delivery of the lines that his appeal lies in, which just shows that when you get rid of the stupid skin-tight jeans, guyliner and lady-killing hair, he CAN still deliver a line very well.

The basic plot of Despicable Me is that the “evil” Gru needs to re-capture a shrink ray from a rival evil genius Vector (Jason Segel) so that he can steal the Moon. But, in order to do this, his plan involves adopting three young girls from an orphanage to infiltrate his nemesis’ lair and steal it for him. But in the process of doing so, Gru finds that having a family is better than being feared, and learns alot from the growing love they have between them (que sobs and violins). Ok, a pretty predictable plot if there was one, but for a kids film its one that works pretty well.  There’s a dynamic amongst kids films recently of sympathising with unlikely characters (again, Shrek is a good example), and more and more developers of animated films for “kidults” are playing off of this. Not that this is a bad thing – what it means is that it will eventually get increasingly harder for developers to make films like these and not tread on the heels of previous similar works. The comedy in Despicable Me is pretty one-of-a-kind for now, which gives it that genuinely entertaining edge, but in my opinion the plotline isn’t exactly one that will stand the test of time. But perhaps this was known all along, as you get the sense that there is an air about Despicable Me that it’s really not trying to be something it isn’t – just a straight-edge family comedy with some original characters backing it up.

Essentially, there is a lot to like about Despicable Me, despite it actually being a fairly average film. The three girls Margo (played by iCarly’s own Miranda Cosgrove), Edith and Agnes are sickly adorable and actually provide a pretty strong centre of comedy, Steve Carell does a great job as always, and the Minions are definitely worth a giggle. The fact that the orphanage owner had what she referred to as a “Box of Shame” also made me laugh in a kind of darkly sinister way, but perhaps that’s just me… However, the major let downs of Despicable Me was the fact that it became somewhat predictable and didn’t break the mould too much for a film of its hype, and ended the film on one of those annoyingly rubbish dance scenes. Call it a pet peeve if you will, but I personally just don’t find these funny anymore and I feel it’s becoming a stamp of a rubbish ending to average films. Another niggling thing is how much films advertised as being 3D films don’t actually have much reason for using 3D. Throughout Despicable Me there was not really as much 3D effects as had been hyped but the fact that when the 3D effects were used, it didn’t exactly add to the experience or storyline but it did visually look impressive, made a bit of a difference. It will also be interesting to see how well Will Ferrell’s own evil animation Megamind does in answer this considering it also stars Brad Pitt and Jonah Hill when that gets its release in a couple of months time.

Overall, Despicable Me probably isn’t something I would choose to see above a lot of films currently available, but for families it’s a no-brainer! Despicable Me gets an easy 6 out of 10 for being somewhat predictable, but also a bit of fun.

LISTED Film Previews – October ’10

Finally, we come back round to the Halloween films of the year – my favourite time of year for film releases! This is mainly because you’ll always see different production companies competing against each other for the Halloween High-Hitter of the Year. Obviously, in recent years, its been all of the Saw movies, because this has now been built up into a franchise in the same way that Nightmare on Elm Street or Friday The 13th was – to the extent that little kids were dressing up in clawed gloves and burnt faces at such a young age that they couldn’t possibly be old enough to thave seen the films. And that is what Saw is managing to do now – become a franchise and make an icon of itself. Don’t get me wrong, this is great for their business, but I think this year there’s going to be some stiff competition from a film thats generating hype all of its own….

Also, just as a note, more and more people have been leaving great comments on some posts, bringing up some very valid points and its a shame if these dont get read. So next time you’re reading one of these, check for comments about points you might have wanted to hear more of, because they might just be there. Now, time for the film feast for you greedy lot out there!

THE SOCIAL NETWORK (12A) (Dir. David Fincher)

Ever wondered how much trouble goes into creating a social networking site? The Social Network follows the fictional story of Mark Zuckerberg (played by Jesse Eisenberg) and how he and a group of his friends came together to create the networking and photo sharing site Facebook. However, things start to turn ugly when arguements with his friend and co-founder of the site Eduardo Saverin (Andrew Garfield) compromise the website, his funds and everything he owns. The trailers for this film look pretty great, and it looks like there’s a surprisingly high amount of drama in The Social Network – which will provide a very welcome retreat from the Hollywood remakes! Definitely worth watching if you use Facebook yourself (so, everyone then?), or even if it’s to see Andrew Garfield’s performance before the Spider-Man reboot starts production. Released October 15th.

RED (12A) (Dir. Robert Schwentke)

Based on the DC comics series, Bruce Willis plays a retired black-ops agent whose peaceful situation is compromised when a new, high-tech assassin threatens his life. As a last resort, Frank Moses (Willis) reassembles his former black-ops team to break into the CIA. Considering that Bruce Willis did this after Cop Out (which was of a similar style to Red and pretty successful for Willis too) and that this also stars Morgan Freeman, a slightly barmy John Malkovich and a sniper-rifle toting Helen Mirren, you can pretty much bet that the mix of smart comedy and high-octane action is going to work pretty well for bringing in the audiences. It’s definitely worked for Willis so far, at least! Released October 22nd.

SAW VII 3D (18) (Dir. Kevin Greutert)

Although the Saw franchise has probably gone on way longer than it rightly should have by now, the latest instalment in the series is not only in 3D but also sees the return of original Saw victim Carey Elwes as Lawrence Gordon. Whilst a deadly battle rages between those who want to take up the mantle Jigsaw left behind, a group of his survivors gather and seek support from fellow survivor and self-help guru Bobby Dagen (Sean Patrick Flannery). But Dagen’s own motives are so dark and destructive they may start an entirely new wave of terror. Advertised as the last Saw (even though VIII has been green lit), it’s likely that the 3D effects will go down well amongst the loyal fan base, but personally this is not what my money is on for the Halloween success of the year… Released October 29th.

PARANORMAL ACTIVITY 2 (18) (Dir. Tod Williams)

The sequel to the biggest low-budget phenomenon of recent years is finally seeing the light of day. Or not, as the early trailers suggest… Not much is known about the storyline, but what the trailers have revealed is a lot more frightening goings-on in a new house with cameras in every room, with a dog and a baby taking up residence in the house as well. With the director of the original on board as a producer, Paranormal Activity 2 is set to scare the living snot out of audiences all over the world! Released October 29th.